Robert Plant and the SENSATIONAL SPACE SHIFTERS will be featured on “Austin City Limits” this coming weekend, marking his first time on the “Austin City Limits” stage in more than a decade. Plant‘s performance on the show, the longest-running live music television series, premieres this Saturday, October 15 on PBS stations across the United States. The full-hour set, which he taped at the end of his “Southern Journey” tour of the American South in March, includes songs from his 2014 Nonesuch debut album, “Lullaby And… The Ceaseless Roar” — “Rainbow”, “Turn It Up” and “Little Maggie” — as well as LED ZEPPELIN favorites, like “Black Dog”; you can watch that performance below.
Plant joins Emmylou Harris, Steve Earle, Patty Griffin, Buddy Miller, THE MILK CARTON KIDS, and more on their recently launched “Lampedusa: Concerts For Refugees” tour, starting at the Pabst Theater in Milwaukee on October 12, and making stops in Chicago, Toronto, Boston, New York, and Philadelphia, before culminating at the Lisner Auditorium in Washington, D.C., on October 21. Funds raised by “Lampedusa” will support Jesuit Refugee Service‘s educational programs for refugees around the world.
Plant told The Pulse Of Radio that he works hard to maintain a certain level of quality control in everything he does. “Well, you set the bar at a certain height in performance and in mending with your fellow man,” he said. “You can’t drop too far down below that. Still, we labor on, but the bar must be kept high and you can’t… I don’t wish to do anything that’s anything below the bar. I keep the bar really high. And the responsibility is, to keep in my own heart, to make sure that I don’t waste my gift.”
“Lullaby And… The Ceaseless Roar” features elven new recordings, nine of which are original songs he wrote with the band. “It’s really a celebratory record,” said Plant, “powerful, gritty, African, trance meets ZEP.” Q calls it “his best solo album yet … a beautifully moving, soul-stirring, bravely genre-blurring album.”
Plant spoke to Relix magazine about his current music and how it connects to his early days in LED ZEPPELIN, explaining, “I want people to know I’m pulling points of reference from other times and other places — incongruous and out of step and kilter — into another world. I’ve done it with ZEPPELIN lyrics, as well — ‘if the sun refused to shine’ and ‘the road remains the same’ and all the shit. There’s so many bits like that, because I like the idea of spinning the bottle. And if one or two people pick up on it, that’s the justice — that’s about right.”