Swedish epic doom metallers SORCERER have entered the studio to begin recording their new album. This will be the band’s third LP for Metal Blade and follow-up to the critically acclaimed “The Crowning Of The Fireking”, which came out in 2017. A spring 2020 release is expected.

Drums were recorded last week at SolnaSound Recording, with Mike Wead (KING DIAMOND, HEXENHAUS, MEMENTO MORI) as the engineer. After the summer holidays, the band will return to the studio again to continue tracking guitars, bass and vocals.

As on the previous album, the production is being handled by SORCERER and Conny Welén (co-producer) and Ronnie Björnström (mixing).

Earlier in the year, SORCERER announced the addition of bassist Justin Biggs to the group’s ranks.

SORCERER emerged out of Sweden in the late 80s and was one of the very early bands to champion what is now known as “epic doom metal.” Besides genre pioneers CANDLEMASS, groups like SOLITUDE AETURNUS, WHILE HEAVEN WEPT and SORCERER were among the few groups around representing this style of metal.

During its existence, SORCERER produced two self-financed cassette releases, both of which quickly became underground cult classics regularly hailed by metalheads as some of the finest of the era. After a few personnel changes, the group disintegrated in 1992 and since then some of the bandmembers went on to find some success with other groups. Bassist Johnny Hagel achieved greater success in TIAMAT and later SUNDOWN. Vocalist Anders Engberg has also made a name for himself with several other bands he has fronted, such as LION’S SHARE, TWILIGHT and SECTION A.

In the fall of 2010, members of SORCERER were coaxed into reforming to play a one-off gig at the Hammer Of Doom festival in Germany and, a year later, the Up The Hammers festival in Athens, Greece. Both shows were received extremely well and the thoughts of putting together a new album started to take form.

In March 2015, SORCERER released the critically acclaimed “In The Shadow Of The Inverted Cross”. SORCERER played several festivals in support of the album — Sabaton Open Air and Rock Hard Festival, among others, with the latter especially being a huge success for the band, selling out their entire merch supply even before finishing their set.

2015 also saw the release of the EP “Black”, which consisted of three songs left over from the “In The Shadow Of The Inverted Cross” sessions, as well as an acoustic version of the track “Prayers For A King”.

In the end of 2015, the band started to write material for a follow-up album to “In The Shadow Of The Inverted Cross”. Progress went pretty fast and ten new tracks emerged out of the royal epic doom chest. The songwriting carried on throughout 2016, and in early 2017, they went into the studio to record.

During the recording, the band and drummer Robert Iversen parted ways because of musical differences, and Lars Sköld (TIAMAT, AVATARIUM) filled the role as session drummer on the album.

In the early summer of 2017, the album was ready to be mixed by the very talented Ronnie Björnström (AEON, CUT UP, 220 VOLT), who also turned the knobs on their last album. The mastering this time was expertly handled by Mr. Thomas “Plec” Johansson (SOILWORK, WATAIN).

Fonte: Blabbermouth.net

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